PKD’s Timothy Archer on music (vs. Bifo on poetry?)

pkd-tota

Regarding our conversation on why Bifo was interested in poetry, rather than, say, music: this is a short passage from Philip K. Dick’s The Transmigration of Timothy Archer, in which the title character is discussing Beethoven’s Fidelio with his daughter-in-law:

“It goes beyond beauty,” Tim said. “It involves an apprehension of the nature of freedom itself. How can it be that purely abstract music, such as his late quartets, can without words change human beings in terms of their own awareness of themselves, in terms of their ontological nature? Schopenhauer believed that art, in particular music, had — has — the power to cause the will, the irrational, striving will, to somehow turn back onto and into itself and cease to strive. He considered this a religious experience, although temporary. Somehow art, somehow music especially, has the power to transform man from an irrational thing into some rational entity that is not driven by biological impulses, impulses that cannot by definition ever be satisfied…”